Collected Poems 1947-1997 - Ginsberg Allen - Страница 80
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assembled armies vanish in
their realms
Chinese American Bardo Thodols
all the seventy hundred hells from
Orleans to Algeria tremble
with tender soldiers weeping
In Russia the young poets rise
to kiss the soul of the revolution
in Vietnam the body is burned
to show the truth of only the
body in Kremlin & White House
the schemers draw back
weeping from their schemes—
In my train seat I renounce
my power, so that I do
live I will die
Over for now the Vomit, cut
up & pincers in the skull,
fear of bones, grasp
against man woman & babe.
Let the dragon of Death
come forth from his
picture in the whirling
white clouds’ darkness
And suck dream brains &
claim these lambs for his
meat, and let him feed
and be other than I
Till my turn comes and I
enter that maw and change
to a blind rock covered
with misty ferns that
I am not all now
but a universe of skin and breath
& changing thought and
burning hand & softened
heart in the old bed of
my skin From this single
birth reborn that I am
to be so—
My own Identity now nameless
neither man nor dragon or
God
but the dreaming Me full
of physical rays’ tender
red moons in my belly &
Stars in my eyes circling
And the Sun the Sun the
Sun my visible father
making my body visible
thru my eyes!
Tokyo, July 18, 1963
VII
KING OF MAY: AMERICA TO EUROPE
(1963–1965)
Nov. 23, 1963: Alone
Alone
in that same self where I always was
with Kennedy throat brain bloodied in Texas
the television continuous blinking two radar days
with Charlie muttering in his underwear strewn bedroom
with Neal running down the hall shouting about the racetrack
with Ann with her white boy’s ass silent under the Cupid thigh
with Lucille talking to herself, feeding the pregnant cat Alice
with Anne mourning her pockmarked womb & the hard muscled chest of her Lover
with David’s red wine fireplace casting shadows back to the Duchess farm-boy faggot of Wichita, on fire in mainstreet
with Lance with his crummy painting & leopard blue breast seeking to buy a motorcycle to crosscountry smiling & wan
with the manuscripts of nutritious Roselle the New York suicide on the round mahogany table near the kitchen
with Leroi Jones’ white-eyeballed war-cry unread, babbling in postmortem blue-sneer
with myself confused shock-fingertipt on the rented typewriter
with Alan with horses’ teeth metafysiks demurely insisting he was intensely so over coffee
with Glen o’ the lisp & Justin the olding bluejacketed man-love off in autos to Mexico cactus hope
with the fat lady with babe in the auto, feeding & grieving her adolescence’s backseat
with “Go to Hell” spoke on the streetcorner down hill in dark November night
with Judy’s blood in the furnace building up weeks before in campus-forest headlines, white-haired parents on Television
with Christopher running around in raincoats talking fast about his eyesockets seeing true streets of ’60s
with Jaime phoning collect from New York insulting his lonesome Cunt
with Nemmie insisting she was drunk & insulting on the couch & Marko with a bandaged tendon hanging in front of his gaptooth
with Hubert in beret & tweed beard absolutely sober on meth-freak newspaper splatter rorschach universe, drinking milk
with Jordan on the phone suave & retired jobbing invisible mandalas upstairs from the technicolor gutter
with Larry whitehaired chewing his teeth nodding in chairs weak & amiable lost the pointlessness
with the cat curled in white fur in the kitchen chair
with the transistor radio silent weeks on the typewriter desk
with the novels Happiness Bastard Sheeper from Tangier Wichita Mad Cub Yesterday Today & Tomorrow
with Now, with Fuck You, with Wild Dog Burning Bush Poetry Evergreen C Thieves Journal Soft Machine Genesis Renaissance Contact Kill Roy Etc.
with spaniards appearing at the doors to know what’s happening you wanna score or am I the sacred fear the meth-head fuzz the insect trust or delicious Jose
with Robert in his black jacket & tie deciding to make a point of his courtesy over the kitchen linoleum
with the Ghosts of Natalie & Peter & Krishna & Ram intoned on the shag rugs in the darkness of abandoned rooms
with Blue Grace in typescript stepping out of the taxi on the wall, and letters arriving from Malaga & Chicago
with me breaking off to rush in to the other room where Adam & Eve lie to get my hair spermy
Why Is God Love, Jack?
Because I lay my
head on pillows,
Because I weep in the
tombed studio
Because my heart
sinks below my navel
because I have an
old airy belly
filled with soft
sighing, and
remembered breast
sobs—or
a hand’s touch makes
tender—
Because I get scared—
Because I raise my
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