Thicker Than Blood - Crouch Blake - Страница 34
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In the nearby lounge, a TV blared. I heard the voice of Agent Trent, discussing recent developments in the search for the Heart Surgeon.
A couple walking by on their way to the front door glanced curiously at my outfit. A gray one-piece mechanic’s suit was anomalous attire for this upscale inn.
Jennings Road branched left off of Main Street, a mile beyond the college. Leafless sugar maples and birches shielded the road from the sky as it climbed a hillside. There were mounds of leaves along the sides of the road. I pictured them in full, fiery color, littered across the street and through the lawns, turning this small New England neighborhood into a mystical universe all its own.
Near the top of the hill, on a black mailbox in slanted white numbers, I saw 617. Walter slowed the car, but I told him to drive casually by and park a ways up the street. As we continued on, I gazed at Orson’s home, disbelieving I’d actually found it. From the outside, it was modestly elegant. A white two-story house, with dormer windows protruding from the second floor, larger bay windows from the first. A split-rail fence enclosed the front lawn, and flowers grew along a brick walkway that curved from the driveway to the front porch. There was no garage, and there were presently no cars in the driveway.
We crested the hill and Walter parked near the curb, scattering a pile of leaves. He turned off the engine and looked warily at me as I reached under my seat and grabbed the walkie-talkies.
"Channel eight, subchannel seventeen," I said, handing one to Walter. We adjusted our frequencies accordingly. "We passed a diner before we turned onto Jennings. Wait there. This car looks conspicuous sitting up here, especially with an out-of-state tag. You’ll get the first communication at the diner. I’ll say, ‘Go, Papa.’ That’ll mean he’s home, so get your ass up here and start circling the neighborhood. The second communication will be ‘Bring it home,’ and that means come to six seventeen and back into the driveway. I’ll want you to open the trunk for me and get back in the car. When you’re inside and the trunk’s open, I’ll bring him out. He’ll be unconscious. I’ll put him in the trunk, and you’ll drive us to his hole on One sixteen. Any questions?"
"No."
"Don’t break radio silence unless it’s an emergency. If you have to, call me Wilma. I’ll call you Fred. You never know who might be listening. Also, don’t forget the channels. Eight and seventeen. Write it on your hand." I clipped on my walkie-talkie and lifted the cumbersome fanny pack from the floorboard. Then I strapped it around my waist, opened the door, and stepped out into the cool afternoon.
"It’s only four-thirty," I said, "so it may be several hours before you hear from me." I shut the door, and he drove on down the mountain, disappearing around a bend in the road.
I walked back up the hill, and as I passed over the crest, the town of Woodside appeared before me. I wondered if in spring or summer, when leaves fattened the trees, it would be difficult to see the town, hundreds of feet below. But the naked trees revealed the foothill community — Main Street, the college, even glimpses of the downtown a mile and a half north. A lovely neighborhood. There might be hundreds like it in the New England countryside, thousands across the country itself. Who’d ever suspect the Heart Surgeon lived here, among these pastoral dwellings in Woodside suburbia?
I walked up Orson’s driveway to a chest-high white fence that picketed the backyard. As I scaled and then straddled it, I wondered if he owned a dog. When my feet hit the grass on the other side, I stayed on all fours, scanning the lawn for a doghouse, listening for the jingle of a chain. Nothing moved in the beautiful grass. A northern white cedar overshadowed the backyard, but there was no dog.
I walked around the corner. A stone patio with white plastic lawn chairs extended from the back of the house. I moved across the grass onto the patio, where French doors led into a solarium. Creeping up to the doors, I peeked through the glass. No lights were on, but peering through the shadows, I could see beyond the sunroom into the kitchen. The house seemed empty. I tried the door, but it was locked. There was no dead bolt, though, and I was relieved I would have to break only a single pane of glass.
I withdrew a pair of leather gloves from the fanny pack and grabbed a baseball-size rock lying in a flaccid garden adjacent to the patio. When the gloves were on, I shoved the rock through the pane nearest the doorknob. There was a concussive crack, and splinters of glass spilled across the floor inside. Still holding the rock, I listened for the sound of an alarm, but the house remained silent. I dropped the rock and turned the lock.
The warm breath of central heating caressed my face as the doors swung open. I stepped inside, removed the leather gloves, and put them back in the fanny pack. After wiping my fingerprints off the outside doorknob, I squeezed my hands into a pair of latex gloves and pulled the doors closed behind me.
I distrusted the silence. Standing in a sunroom, I noticed the fading light filtering in through long, curved panels of glass. Wicker chairs had been placed somewhat erratically across the brick-patterned linoleum floor, and potted plants lent the room the earthy bouquet of a greenhouse. I moved cautiously across the floor, my footfalls crunching bits of glass. Taking my Glock from the fanny pack, I chambered the first bullet, praying I wouldn’t have to fire the unsilenced weapon in this tranquil neighborhood. Walter and I had been unable to locate black-market silencers.
From the solarium, I proceeded into the kitchen, which was decked out with white appliances on miles of counter space. I examined pictures on the refrigerator of a white-water rafting trip, and of Orson and a woman I’d never seen before, standing arm in arm on the barren summit of a mountain.
To the right, a doorway led into a dining room, complete with china hutch, chandelier, and a mahogany table set with crystal, silver, and china on a white tablecloth.
But I went through the doorway to the left, leaving the kitchen and entering the living room. Orson had impeccable taste. Over the mantel there hung a print of Odilon Redon’s monochromatic Anthony: What Is the Object of All This? The Devil: There is No Object. Incidentally, the subject of the black lithograph looked jarringly similar to the man who’d stopped me for an autograph on my mother’s street. Luther. In the far left corner stood an old Steinway upright piano, and before the gas-log fireplace, a Persian rug spread across the floor, framed by a futon and two burgundy leather chairs. A staircase ascended to my immediate right, and just ahead, at the foot of its steps, loomed the front door.
I walked through the living room, my steps resonating on the hardwood floor. A doorway on the left wall, near the Steinway, opened into a library, and I crossed the threshold into the room of books.
It smelled good in his study, like aged paper and cigars. A lavish desk dominated the center of the room, identical to the one in my office. Even his swivel chair was the same. Sifting through the drawers, I found nothing. Every letter was addressed to Dr. David Parker, and most of the files consisted of research materials on ancient Rome. There weren’t even pictures on the desk — just a computer, a cedar humidor filled with Macanudo Robusto cigars, and a decanter of cognac.
The walls were covered by bookcases. The titles indicated the same specific, academic sort of subject matter as the books I’d seen in his office: Agrarian Society in Rome in the Third Century B.C. Tribunal Policy and Imperial Power Before Caesar. Foreign Relations: Rome, Carthage, and the Punic Wars.
The low shudder of a car engine pulled me to the window. I split the blinds with two fingers and watched a white Lexus sedan turn into Orson’s driveway. I waited, my stomach twisting into knots. If Orson came in through the back door, he’d see the broken glass.
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