The Big Sleep - Chandler Raymond - Страница 35
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An old man dozed in the elevator, on a ramshackle stool, with a burstout cushion under him. His mouth was open, his veined temples glistened in the weak light. He wore a blue uniform coat that fitted him the way a stall fits a horse. Under that gray trousers with frayed cuffs, white cotton socks and black kid shoes, one of which was slit across a bunion. On the stool he slept miserably, waiting for a customer. I went past him softly, the clandestine air of the building prompting me, found the fire door and pulled it open. The fire stairs hadn't been swept in a month. Bums had slept on them, eaten on them, left crusts and fragments of greasy newspaper, matches, a gutted imitation-leather pocketbook. In a shadowy angle against the scribbled wall a pouched ring of pale rubber had fallen and had not been disturbed. A very nice building.
I came out at the fourth floor sniffing for air. The hallway had the same dirty spittoon and frayed mat, the same mustard walls, the same memories of low tide. I went down the line and turned a corner. The name: "L. D. Walgreen — Insurance," showed on a dark pebbled glass door, on a second dark door, on a third behind which there was a light. One of the dark doors said: "Entrance."
A glass transom was open above the lighted door. Through it the sharp birdlike voice of Harry Jones spoke, saying:
"Canino?. . . Yeah, I've seen you around somewhere. Sure."
I froze. The other voice spoke. It had a heavy purr, like a small dynamo behind a brick wall. It said: "I thought you would." There was a vaguely sinister note in that voice.
A chair scraped on linoleum, steps sounded, the transom above me squeaked shut. A shadow melted from behind the pebbled glass.
I went back to the first of the three doors marked with the name Walgreen. I tried it cautiously. It was locked. It moved in a loose frame, an old door fitted many years past, made of half-seasoned wood and shrunken now. I reached my wallet out and slipped the thick hard window of celluloid from over my driver's license. A burglar's tool the law had forgotten to proscribe. I put my gloves on, leaned softly and lovingly against the door and pushed the knob hard away from the frame. I pushed the celluloid plate into the wide crack and felt for the slope of the spring lock. There was a dry click, like a small icicle breaking. I hung there motionless, like a lazy fish in the water. Nothing happened inside. I turned the knob and pushed the door back into darkness. I shut it behind me as carefully as I had opened it.
The lighted oblong of an uncurtained window faced me, cut by the angle of a desk. On the desk a hooded typewriter took form, then the metal knob of a communicating door. This was unlocked. I passed into the second of the three offices. Rain rattled suddenly against the closed window. Under its noise I crossed the room. A tight fan of light spread from an inch opening of the door into the lighted office. Everything very convenient. I walked like a cat on a mantel and reached the hinged side of the door, put an eye to the crack and saw nothing but light against the angle of the wood.
The purring voice was now saying quite pleasantly: "Sure, a guy could sit on his fanny and crab what another guy done if he knows what it's all about. So you go to see this peeper. Well, that was your mistake. Eddie don't like it. The peeper told Eddie some guy in a gray Plymouth was tailing him. Eddie naturally wants to know who and why, see."
Harry Jones laughed lightly. "What makes it his business?"
"That don't get you no place."
"You know why I went to the peeper. I already told you. Account of Joe Brody's girl. She has to blow and she's shatting on her uppers. She figures the peeper can get her some dough. I don't have any."
The purring voice said gently: "Dough for what? Peepers don't give that stuff out to punks."
"He could raise it. He knows rich people." Harry Jones laughed, a brave little laugh.
"Don't fuss with me, little man." The purring voice had an edge, like sand in the bearing.
"Okey, okey. You know the dope on Brody's bump-off. That screwy kid done it all right, but the night it happened this Marlowe was right there in the room."
"That's known, little man. He told it to the law."
"Yeah — here's what isn't. Brody was trying to peddie a nudist photo of the young Sternwood girl. Marlowe got wise to him. While they were arguing about it the young Sternwood girl dropped around herself — with a gat. She took a shot at Brody. She lets one fly and breaks a window. Only the peeper didn't tell the coppers about that. And Agnes didn't neither. She figures it's railroad fare for her not to."
"This ain't got anything to do with Eddie?"
"Show me how."
"Where's this Agnes at?"
"Nothing doing."
"You tell me, little man. Here, or in the back room where the boys pitch dimes against the wall."
"She's my girl now, Casino. I don't put my girl in the middle for anybody."
A silence followed. I listened to the rain lashing the windows. The smell of cigarette smoke came through the crack of the door. I wanted to cough. I bit hard on a handkerchief.
The purring voice said, still gentle: "From what I hear this blonde broad was just a shill for Geiger. I'll talk it over with Eddie. How much you tap the peeper for?"
"Two centuries."
"Get it?"
Harry Jones laughed again. "I'm seeing him tomorrow. I have hopes."
"Where's Agnes?"
"Listen — "
"Where's Agnes?"
Silence.
"Look at it, little man."
I didn't move. I wasn't wearing a gun. I didn't have to see through the crack of the door to know that a gun was what the purring voice was inviting Harry Jones to look at. But I didn't think Mr. Canino would do anything with his gun beyond showing it. I waited.
"I'm looking at it," Harry Jones said, his voice squeezed tight as if it could hardly get past his teeth. "And I don't see anything I didn't see before. Go ahead and blast and see what it gets you."
"A Chicago overcoat is what it would get you, little man."
Silence.
"Where's Agnes?"
Harry Jones sighed. "Okey," he said wearily. "She's in an apartment house at 28 Court Street, up on Bunker Hill. Apartment 301. I guess I'm yellow all right. Why should I front for that twist?"
"No reason. You got good sense. You and me'll go out and talk to her. All I want is to find out is she dummying up on you, kid. If it's the way you say it is, everything is jakeloo. You can put the bite on the peeper and be on your way. No hard feelings?"
"No," Harry Jones said. "No hard feelings, Canino."
Fine. Let's dip the bill. Got a glass?" The purring voice was now as false as an usherette's eyelashes and as slippery as a watermelon seed. A drawer was pulled open. Something jarred on wood. A chair squeaked. A scuffing sound on the floor. "This is bond stuff," the purring voice said.
There was a gurgling sound. "Moths in your ermine, as the ladies say."
Harry Jones said softly: "Success."
I heard a sharp cough. Then a violent retching. There was a small thud on the floor, as if a thick glass had fallen. My fingers curled against my raincoat.
The purring voice said gently: "You ain't sick from just one drink, are you, pal?"
Harry Jones didn't answer. There was labored breathing for a short moment. Then thick silence folded down. Then a chair scraped.
"So long, little man," said Mr. Canino. Steps, a click, the wedge of light died at my feet, a door opened and closed quietly. The steps faded, leisurely and assured.
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