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Perfume. The story of a murderer - Suskind Patrick - Страница 37


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37

He stopped and stood for a good while in front of one of these camouflaged palazzi. The house was at the beginning of the rue Droite, a main artery that traversed the whole length of the city, from west to east. It was nothing extraordinary to look at, perhaps the front was a little wider and ampler than its neighbors’, but certainly not imposing. At the gateway stood a wagon from which kegs were being unloaded down a ramp. A second vehicle stood waiting. A man with some papers went into the office, came back out with another man, both of them disappeared through the gateway. Grenouille stood on the opposite side of the street and watched the comings and goings. He was not interested in what was happening. And yet he stood there. Something else was holding him fast.

He closed his eyes and concentrated on the odors that came floating to him from the building across the way. There were the odors of the kegs, vinegar and wine, then the hundredfold heavy odors of the warehouse, then the odors of wealth that the walls exuded like a fine golden sweat, and finally the odors of a garden that had to lie on the far side of the building. It was not easy to catch the delicate scents of the garden, for they came only in thin ribbons from over the house’s gables and down into the street. Grenouille discerned magnolia, hyacinth, daphne, and rhododendron… but there seemed to be something else besides, something in the garden that gave off a fatally wonderful scent, a scent so exquisite that in all his life his nose had never before encountered one like it-or, indeed, only once before… He had to get closer to that scent.

He considered whether he ought simply to force his way through the gate and onto the premises. But meanwhile so many people had become involved in unloading and inventorying the kegs that he was sure to be noticed. He decided to walk back down the street and find an alley or passageway that would perhaps lead him along the far side of the house. Within a few yards he had reached the town gate at the start of the rue Droite. He walked through it, took a sharp left, and followed the town wall downhill. He had not gone far before he smelled the garden, faintly at first, blended with the air from the fields, but then ever more strongly. Finally he knew that he was very close. The garden bordered on the town wall. It was directly beside him. If he moved back a bit, he could see the top branches of the orange trees just over the wall.

Again he closed his eyes. The scents of the garden descended upon him, their contours as precise and clear as the colored bands of a rainbow. And that one, that precious one, that one that mattered above all else, was among them. Grenouille turned hot with rapture and cold with fear. Blood rushed to his head as if he were a little boy caught red-handed, and then it retreated to his solar plexus, and then rushed up again and retreated again, and he could do nothing to stop it. This attack of scent had come on too suddenly. For a moment, for a breath, for an eternity it seemed to him, time was doubled or had disappeared completely, for he no longer knew whether now was now and here was here, or whether now was not in fact then and here there-that is, the rue des Marais in Paris, September 1753. The scent floating out of the garden was the scent of the redheaded girl he had murdered that night. To have found that scent in this world once again brought tears of bliss to his eyes— and to know that it could not possibly be true frightened him to death.

He was dizzy, he tottered a little and had to support himself against the wall, sinking slowly down against it in a crouch. Collecting himself and gaining control of his senses, he began to inhale the fatal scent in short, less dangerous breaths. And he established that, while the scent from behind the wall bore an extreme resemblance to the scent of the redheaded girl, it was not completely the same. To be sure, it also came from a redheaded girl, there was no doubt of that. In his olfactory imagination, Grenouille saw this girl as if in a picture: she was not sitting still, she was jumping about, warming up and then cooling off, apparently playing some game in which she had to move quickly and then just as quickly stand still-with a second person, by the way, someone with a totally insignificant odor. She had dazzlingly white skin. She had green eyes. She had freckles on her face, neck, and breasts… that is-and Grenouille’s breath stopped for a moment, then he sniffed more vigorously and tried to suppress the memory of the scent of the girl from the rue des Marais-that is, this girl did not even have breasts in the true sense of the word! She barely had the rudimentary start of breasts. Infinitely tender and with hardly any fragrance, sprinkled with freckles, just beginning to expand, perhaps only in the last few days, perhaps in the last few hours, perhaps only just at this moment-such were the little cupped breasts of this girl. In a word: the girl was still a child. But what a child!

The sweat stood out on Grenouille’s forehead. He knew that children did not have an exceptional scent, any more than green buds of flowers before they blossom. This child behind the wall, however, this bud still almost closed tight, which only just now was sending out its first fragrant tips, unnoticed by anyone except by him, Grenouille-this child already had a scent so terrifyingly celestial that once it had unfolded its total glory, it would unleash a perfume such as the world had never smelled before. She already smells better now, Grenouille thought, than that girl did back then in the rue des Marais-not as robust, not as voluminous, but more refined, more richly nuanced, and at the same time more natural. In a year or two this scent will be ripened and take on a gravity that no one, man or woman, will be able to escape. People will be overwhelmed, disarmed, helpless before the magic of this girl, and they will not know why. And because people are stupid and use their noses only for blowing, but believe absolutely anything they see with their eyes, they will say it is because this is a girl with beauty and grace and charm. In their obtuseness, they will praise the evenness of her features, her slender figure, her faultless breasts. And her eyes, they will say, are like emeralds and her teeth like pearls and her limbs smooth as ivory-and all those other idiotic comparisons. And they will elect her Queen of the Jasmine, and she will be painted by stupid portraitists, her picture will be ogled, and people will say that she is the most beautiful woman in France. And to the strains of mandolins, youths will howl the nights away sitting beneath her window… rich, fat old men will skid about on their knees begging her father for her hand… and women of every age will sigh at the sight of her and in their sleep dream of looking as alluring as she for just one day. And none of them will know that it is truly not how she looks that has captured them, not her reputed unblemished external beauty, but solely her incomparable, splendid scent! Only he would know that, only Grenouille, he alone. He knew it already in fact.

Ah! He wanted to have that scent! Not in the useless, clumsy fashion by which he had had the scent of the girl in the rue des Marais. For he had merely sucked that into himself and destroyed it in the process. No, he wanted truly to possess the scent of this girl behind the wall; to peel it from her like skin and to make her scent his own. How that was to be done, he did not know yet. But he had two years in which to learn. Ultimately it ought to be no more difficult than robbing a rare flower of its perfume.

He stood up, almost reverently, as if leaving behind something sacred or someone in deep sleep. He moved on, softly, hunched over, so that no one might see him, no one might hear him, no one might be made aware of his precious discovery. And so he fled along the wall to the opposite end of the town, where he finally lost the girl’s scent and reentered by way of the Porte des Feneants. He stood in the shadow of the buildings. The stinking vapors of the streets made him feel secure and helped him to tame the passions that had overcome him. Within fifteen minutes he had grown perfectly calm again. To start with, he thought, he would not again approach the vicinity of the garden behind the wall. That was not necessary. It excited him too much. The flower would flourish there without his aid, and he knew already in what manner it would flourish. He dared not intoxicate himself with that scent prematurely. He had to throw himself into his work. He had to broaden his knowledge and perfect the techniques of his craft in order to be equipped for the time of harvest. He had a good two years.

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Suskind Patrick - Perfume. The story of a murderer Perfume. The story of a murderer
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