The Murder at the Vicarage - Christie Agatha - Страница 35

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"We must go, of course," said Griselda.

I agreed.

"I wonder what can have happened?"

I wondered too.

"You know," I said to Griselda, "I don't feel we are really at the end of this case yet."

"You mean not till someone has really been arrested?"

"No," I said, "I didn't mean that. I mean that there are ramifications, under-currents, that we know nothing about. There are a whole lot of things to clear up before we get at the truth."

"You mean things that don't really matter, but that get in the way?"

"Yes, I think that expresses my meaning very well."

"I think we're all making a great fuss," said Dennis, helping himself to marmalade. "It's a jolly good thing old Protheroe is dead. Nobody liked him. Oh! I know the police have got to worry - it's their job. But I rather hope myself they'll never find out. I should hate to see Slack promoted going about swelling with importance over his cleverness."

I am human enough to feel that I agree over the matter of Slack's promotion. A man who goes about systematically rubbing people up the wrong way cannot hope to be popular.

"Dr. Haydock thinks rather like I do," went on Dennis. "He'd never give a murderer up to justice. He said so."

I think that that is the danger of Haydock's views. They may be sound in themselves - it is not for me to say - but they produce an impression on the young, careless mind which I am sure Haydock himself never meant to convey.

Griselda looked out of the window and remarked that there were reporters in the garden.

"I suppose they're photographing the study windows again," she said, with a sigh.

We had suffered a good deal in this way. There was first the idle curiosity of the village - every one had come to gape and stare. There were next the reporters armed with cameras, and the village again to watch the reporters. In the end we had to have a constable from Much Benham on duty outside the window.

"Well," I said, "the funeral is tomorrow morning. After that, surely, the excitement will die down."

I noticed a few reporters hanging about Old Hall when we arrived there. They accosted me with various queries to which I gave the invariable answer (we had found it the best), that, "I had nothing to say."

We were shown by the butler into the drawing-room, the sole occupant of which turned out to be Miss Cram - apparently in a state of high enjoyment.

"This is a surprise, isn't it?" she said, as she shook hands. "I never should have thought of such a thing, but Mrs. Protheroe is kind, isn't she? And, of course, it isn't what you might call nice for a young girl to be staying alone at a place like the Blue Boar, reporters about and all. And, of course, it's not as though I haven't been able to make myself useful - you really need a secretary at a time like this, and Miss Protheroe doesn't do anything to help, does she?"

I was amused to notice that the old animosity against Lettice persisted, but that the girl had apparently become a warm partisan of Anne's. At the same time I wondered if the story of her coming here was strictly accurate. In her account the initiative had come from Anne, but I wondered if that were really so. The first mention of disliking to be at the Blue Boar alone might have easily come from the girl herself. Whilst keeping an open mind on the subject, I did not fancy that Miss Cram was strictly truthful.

At that moment Anne Protheroe entered the room.

She was dressed very quietly in black. She carried in her hand a Sunday paper which she held out to me with a rueful glance.

"I've never had any experience of this sort of thing. It's pretty ghastly, isn't it? I saw a reporter at the inquest. I just said that I was terribly upset and had nothing to say, and then he asked me if I wasn't very anxious to find my husband's murderer, and I said 'Yes.' And then whether I had any suspicions, and I said 'No.' And whether I didn't think the crime showed local knowledge, and I said it seemed to certainly. And that was all. And now look at this!"

In the middle of the page was a photograph, evidently taken at least ten years ago - Heaven knows where they had dug it out. There were large headlines:

"WIDOW DECLARES SHE WILL NEVER REST TILL SHE HAS HUNTED DOWN HUSBAND'S MURDERER."

"Mrs. Protheroe, the widow of the murdered man, is certain that the murderer must be looked for locally. She has suspicions, but no certainty. She declared herself prostrated with grief, but reiterated her determination to hunt down the murderer.''

"It doesn't sound like me, does it?" said Anne.

"I dare say it might have been worse," I said, handing back the paper.

"Impudent, aren't they?" said Miss Cram. "I'd like to see one of those fellows trying to get something out of me."

By the twinkle in Griselda's eye, I was convinced that she regarded this statement as being more literally true than Miss Cram intended it to appear.

Luncheon was announced, and we went in. Lettice did not come in till half-way through the meal, when she drifted into the empty place with a smile for Griselda and a nod for me. I watched her with some attention, for reasons of my own, but she seemed much the same vague creature as usual. Extremely pretty - that in fairness I had to admit. She was still not wearing mourning, but was dressed in a shade of pale green that brought out all the delicacy of her fair colouring.

After we had had coffee, Anne said quietly:

"I want to have a little talk with the vicar. I will take him up to my sitting-room."

At last I was to learn the reason of our summons. I rose and followed her up the stairs. She paused at the door of the room. As I was about to speak, she stretched out a hand to stop me. She remained listening, looking down towards the hall.

"Good. They are going out into the garden. No - don't go in there. We can go straight up."

Much to my surprise she led the way along the corridor to the extremity of the wing. Here a narrow ladder-like staircase rose to the floor above, and she mounted it, I following. We found ourselves in a dusty boarded passage. Anne opened a door and led one into a large dim attic which was evidently used as a lumber room. There were trunks there, old broken furniture, a few stacked pictures, and the many countless odds and ends which a lumber room collects.

My surprise was so evident that she smiled faintly.

"First of all, I must explain. I am sleeping very lightly just now. Last night - or rather this morning about three o'clock, I was convinced that I heard someone moving about the house. I listened for some time, and at last got up and came out to see. Out on the landing I realised that the sounds came, not from down below, but from up above. I came along to the foot of these stairs. Again I thought I heard a sound. I called up, "Is anybody there?" But there was no answer, and I heard nothing more, so I assumed that my nerves had been playing tricks on me, and went back to bed.

"However, early this morning, I came up here - simply out of curiosity. And I found this!"

She stooped down and turned round a picture that was leaning against the wall with the back of the canvas towards us.

I gave a gasp of surprise. The picture was evidently a portrait in oils, but the face had been hacked and cut in such a savage way as to render it unrecognizable. Moreover, the cuts were clearly quite fresh.

"What an extraordinary thing," I said.

"Isn't it? Tell me, can you think of any explanation?"

I shook my head.

"There's a kind of savagery about it," I said, "that I don't like. It looks as though it had been done in a fit of maniacal rage."

"Yes, that's what I thought."

"What is the portrait?"

"I haven't the least idea. I have never seen it before. All these things were in the attic when I married Lucius and came here to live. I have never been through them or bothered about them."

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